Writing and Art: Chip Zdarsky
Art Assistance: Rachel Stott
Editing: Allison O’ Toole
Publisher: Image
Price: $3.99
Release Date: August 7, 2024
Review by: Samriddh Chaudhary
Introduction:
The best slice-of-life comic book on shelves right now, which is about comic books is back. Dallas Comics continues to work on its new Domain title alongside its recently recruited editor while Jerry Jaspers struggles to accept his new co-writer Carter Dusk. Pressure between both parties rise to see which of them will make the better comic book at the end.
If you’re interested in this comic, series, related trades, or any of the others mentioned, then simply click on the title/link to snag a copy through Amazon as you read the Public Domain #7 Review.
The Dispatch:
Public Domain #7 is a worthy continuation to the story that Chip Zdarsky has been developing for quite some time now. The inclusion of Cynthia, the editor helps develop the dynamic between the characters even better than before. Syd and Jerry also have a well-constructed moment in this issue as they both face the same issues as old men trying to make comics again. Miles realizes that he has to take more responsibility at the company, Tanya struggles with insecurity because of criticisms for her work, and David… has a crush on Cynthia. All of these interwoven plotlines allow for an engaging read. Public Domain has only gotten better with each one of its issues and this trend won’t die out any time soon.
All the characters have a role to play in the dynamic which is necessary for the book to be engaging. The characters have struggles that are relatable and that helps the reader to feel for each of them. David is an extremely effective comic relief. This issue is also heavy on commentary about the relationship between the art and the fan. It comments on how fans are often unwilling to accept change.
The Art:
The art of Public Domain #7 is done by Zdarsky himself and this emphasizes how personal of a story this is for him. Zdarsky’s art well-made and is precisely the type that a story like Public Domain requires. Even though Zdarsky did not do the art for Howard the Duck, the style is reminiscent of it in certain panels, it is fair to say his writing work also affects art prowess.
Final Thoughts:
Public Domain #7 is the continuation of a story that readers will be heavily invested in if they give it a shot. With its ability to get better issue after issue, this is shaping up to be a memorable comic for the next few years.